Neo-Decadent

The Art and Opinions of Heidi Celeghin, Aesthete

Self, Unbound by Time

Leave a comment

Self, Unbound by Time

Self, Unbound by Time

This self-portrait challenges the notion of time.  I try to break free from the idea that the self portrayed is necessarily contained within a specific time.  My gaze is wearied, as if with age, and my hair is possibly graying.  Yet, my skin is flawless – suggesting a super-human youth.  I emerge as if from shadows but am illuminated by a strange, ethereal light.  The faint suggestion of a background heightens the temporal uncertainty of the image.  I was informed by Walter Pater’s description of La Gioconda in his book The Renaissance.

Below is an extract from Pater’s The Renaissance that discusses La Gioconda:

The presence that thus rose so strangely beside the waters, is expressive of what in the ways of a thousand years men had come to desire. Hers is the head upon which all “the ends of the world are come,” and the eyelids are a little weary. It is a beauty wrought out from within upon the flesh, the deposit, little cell by cell, of strange thoughts and fantastic reveries and exquisite passions. Set it for a moment beside one of those white Greek goddesses or beautiful women of antiquity, and how would they be troubled by this beauty, into which the soul with all its maladies has passed! All the thoughts and experience of the world have etched and moulded there, in that which they have of power to refine and make expressive the outward form, the animalism of Greece, the lust of Rome, the reverie of the middle age with its spiritual ambition and imaginative loves, the return of the Pagan world, the sins of the Borgias. She is older than the rocks among which she sits; like the vampire, she has been dead many times, and learned the secrets of the grave; and has been a diver in deep seas, and keeps their fallen day about her; and trafficked for strange webs with Eastern merchants: and, as Leda, was the mother of Helen of Troy, and, as Saint Anne, the mother of Mary ; and all this has been to her but as the sound of lyres and flutes, and lives only in the delicacy with which it has moulded the changing lineaments, and tinged the eyelids and the hands. The fancy of a perpetual life, sweeping together ten thousand experiences, is an old one; and modern thought has conceived the idea of humanity as wrought upon by, and summing up in itself, all modes of thought and life. Certainly Lady Lisa might stand as the embodiment of the old fancy, the symbol of the modern idea.

Pater’s passage on the Mona Lisa redefined the painting’s significance and introduced a new way of approaching artwork.  Pater, as the critic, can superimpose his own ideas and experiences onto an art piece.  In The Renaissance Pater argues, among other things, that the critic is allowed (in fact, supposed to) re-imagine all artwork placed in front of him.  Oscar Wilde took this notion and expounded upon it in his dialogue The Critic as Artist.

Advertisements

Author: Heidi Celeghin

ARTIST’S STATEMENT The theories guiding my art practice are largely defined by my academic background in Decadence and Aestheticism. I am concerned with the status of the image: seductive, unknowable, dangerous, and immortal. The image exists in a liminal space between illusion and reality, lies and truths, life and death. As such, the image represents the sublime. Once created, the image exists beyond the artist – it grows independently from the artist and is constantly being recreated. On the one hand, it captures a single, exquisite moment in time and therefore holds the valence of stasis and death. On the other hand, the image’s perpetual recreation means that it captures the myriad of experiences Walter Pater discusses in the conclusion to The Renaissance and therefore, it holds the valence of metamorphosis and life. It is particularly fascinating when the distinction between Art and reality begin to fall apart. Is it Art that imitates life or life that imitates Art? Major Events and Public Projects: Houston Zoo, painting-for-conservation initiative (June 2011-present) Barcelona World Race, Team Neutrogena artist (December 2010-May 2011) Select Exhibitions: Singapore via INSTINC artist residency, solo exhibition (June 2012) Limb Design, Houston, Texas, group exhibition (April 2012) Jack Hanna Gala, Houston Zoo, solo exhibit (October 2011) Watson Gallery, Houston, Texas, group exhibit (October 2011) Norma R. Ory Gallery, Museum of Fine Arts, Houston, Texas, group exhibit (2011) Hobby Center for the Performing Arts, Houston, Texas, Awty International Gala (2011) Willard Straight Art Gallery, group exhibit for Forword Literary Magazine (2009) Herbert F. Johnson Museum of Art, group exhibit (2009) Herbert F. Johnson Museum of Art, group exhibit (2008) Hayloft Gallery, Reliant Center, Houston, Texas, group exhibit (2006) Hayloft Gallery, Reliant Center, Houston, Texas, group exhibit (2005) Art Fairs: Affordable Art Fair, Hong Kong (2013) Affordable Art Fair, Singapore (2012) Affordable Art Fair, New York (2012)

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s